I was given my first camera at the age of ten; discounting some tuition by my father – a talented and prolific amateur in his own right – I have received little in the way of formal training, preferring a hands on, autodidactic approach to making images.

Following an early stint as a music photographer, I have been mostly pursuing personal projects centred around themes of memory, place and transience.

The constant thread throughout my work is the mapping of an inner geography where physical locations, subjective experience and liminal impressions fuse to create images often tinged with a sense of the uncanny.