I was given my first camera at the age of ten; discounting some tuition by my father – a talented and prolific amateur in his own right – I have received little in the way of formal training, preferring a hands on, autodidactic approach to making images.
Following an early stint as a music photographer, I have been mostly pursuing a personal agenda centred around themes of memory, topography, liminality and transience.
Following an early stint as a music photographer, I have been mostly pursuing a personal agenda centred around themes of memory, topography, liminality and transience.